Aveyard, Karina (2024) Censorship, speakability and contemporary green fiction cinema. Images, 37 (46). pp. 109-124. ISSN 1731-450X
Barrow, Sarah, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614, Pelikan, Karoline, Ulfe, Maria Eugenia, Vergara, Roxana and Chicmana, Victoria
(2024)
Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South.
New Area Studies, 4 (1).
ISSN 2633-3716
Barrow, Sarah, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614 and Ulfe, Maria Eugenia
(2024)
Introduction: Indigeneity, Community and Participatory Practice:Methods, Concepts and Perspectives from the Global South.
New Area Studies, 4 (1).
ISSN 2633-3716
Barrow, Sarah, Ulfe, Maria Eugenia, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline
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The young women of OMIAASEC
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Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon.
New Area Studies, 4 (1).
ISSN 2633-3716
Chapman, Llewella (2024) ‘Were our ideas of maintaining control mythical?’: Film policy at Hampton Court Palace, 1911–1989. Historical Journal of Film, Radio and Television, 44 (2). pp. 364-385. ISSN 0143-9685
Chapman, Llewella (2024) “You just pulled the shit-end of a wishbone”: Examining the roles of Vicky Arnold and Heather Stevens, the women behind the early Tomb Raider franchise. Feminist Media Studies, 24 (3). pp. 609-627. ISSN 1468-0777
Chapman, Llewella and Hines, Claire (2024) Introduction: The Women behind James Bond. Journal of British Cinema and Television, 21 (4). 419–423. ISSN 1743-4521
Forrest, David and Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
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Introduction: Revisiting the British New Wave.
Journal of British Cinema and Television, 21 (3).
pp. 281-285.
ISSN 1743-4521
Hand, Richard (2024) Poe Theatre on the Air: The National Edgar Allan Poe Theatre podcasts. Journal of Adaptation in Film and Performance, 17 (2-3). pp. 219-234. ISSN 1753-6421
Hines, Claire (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521
Holmes, Su
ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany
ORCID: https://orcid.org/0000-0003-4215-481X
(2024)
Locating the ‘invisible’ mum: Exploring maternal selfie practices.
Journal of Gender Studies, 33 (4).
pp. 386-403.
ISSN 0958-9236
Holmes, Su
ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah
ORCID: https://orcid.org/0000-0002-6652-9455
(2024)
‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-).
Participations: online Journal of Audience and Reception Studies, 20 (1).
Johnston, Keith M.
ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse
(2024)
Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959.
Historical Journal of Film, Radio and Television, 44 (2).
pp. 282-299.
ISSN 0143-9685
McKay, George
ORCID: https://orcid.org/0000-0002-7770-0502
(2024)
Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984.
DIY, Alternative Cultures and Society, 2 (1).
pp. 94-109.
ISSN 2753-8702
Rimmer, Mark
ORCID: https://orcid.org/0000-0001-6916-6795
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Beginning at the beginning: towards a trans-actional music sociology.
Cultural Sociology, 18 (1).
pp. 3-23.
ISSN 1749-9755
Snelson, Tim, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770
Ulfe, Maria Eugenia, Atakav, Eylem
ORCID: https://orcid.org/0000-0001-5718-5614 and Barrow, Sarah
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Indigeneity, Community and Participatory Practice [special issue]:Methods, Concepts and Perspectives from the Global South.
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Muriel Box.
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Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton.
Journal of British Cinema and Television, 21 (4).
pp. 513-535.
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Aveyard, Karina and Valderrama-Burgos, Karol (2024) Hopes and Fears of Transformation:FOCINE and Informal Practices of Film Censorship in Colombia (1978–1993). In: The Screen Censorship Companion. University of Exeter Press, Exeter, pp. 187-199. ISBN 9781804130667
Barrow, Sarah (2024) Pathbreakers of Peruvian Fiction Cinema. In: Female Agency in Films Made by Latin American Women. Global Cinema . Palgrave Macmillan, pp. 357-378. ISBN 978-3-031-72599-9
Hand, Richard J. and Wilson, Michael (2024) London’s Grand Guignol versus the Lord Chamberlain:The Rise and Fall of a Troublesome Theatre. In: The Palgrave Handbook of Theatre Censorship. Palgrave, pp. 399-413. ISBN 978-3-031-67298-9
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The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964).
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Πανκ Ροκ και Αναπηρία:Το Πανκ ως μια Αναπηρική Υποκουλτούρα.
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Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)
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British Tenebrose? Shady Ladies of Postwar British Cinema.
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Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website.
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Williams, Melanie
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Morgan, Diana (1908-1996).
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Nolan, Margaret (1943-2020).
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Hines, Claire, McSweeney, Terence and Joy, Stuart, eds. (2024) James Bond Will Return:Critical Perspectives on the 007 Film Franchise. Wallflower Press. ISBN 9780231207416
Hand, Richard J. and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331
Snelson, Tim, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439
Hand, Richard (2024) Grand Guignol:A Night of Horror and Hilarity. [Performance]
Williams, Melanie
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Essay for Hammer bluray release of 36 Hours (1953).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965).
UNSPECIFIED.
(In Press)
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X
(2024)
'The series that Shelagh built: Delaney on television with The House That Jack Built (1977)', essay for Women's Film and Television Network, UK-Ireland website.
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X and Bailey, Matthew
(2024)
Essay for Indicator bluray release of Left, Right and Centre (1959).
UNSPECIFIED.
Williams, Melanie
ORCID: https://orcid.org/0000-0002-3609-207X and Leggott, James
(2024)
Commentary for Eureka Blu-ray/DVD release of Juggernaut (1974).
UNSPECIFIED.