Article

Adeyemi, Sola ORCID: https://orcid.org/0000-0003-4734-8576 (2026) Editorial: African Theatre in Motion: Legacies, Fractures and Futures Across the Twenty-First Century. African Performance Review, 15 (2). pp. 7-9. ISSN 1753-5964

Adeyemi, Sola ORCID: https://orcid.org/0000-0003-4734-8576 (2026) Mbongeni Ngema: A Theatre of Resistance, Rhythm, and Reckoning (10 May 1955 - 27 December 2023). African Performance Review, 15 (2). pp. 21-30. ISSN 1753-5964

Adeyemi, Sola ORCID: https://orcid.org/0000-0003-4734-8576 (2026) Review of Wole Soyinka: Literature, Activism, And African Transformation by Bola Dauda and Toyin Falola. African Performance Review, 15 (2). pp. 99-104. ISSN 1753-5964

Dolmans, Emily (2026) English Literature and the Crusades: Anxieties of Holy War, 1291–1453 by Marcel Elias (review). Modern Language Review, 120 (1). pp. 82-84. ISSN 0026-7937

Mondal, Anshuman ORCID: https://orcid.org/0000-0002-6628-7572 (2026) The Ethics of Erasure: On the Practice and Politics of Cultural Expression. Wasafiri, 41 (1). pp. 40-52. ISSN 0269-0055

Noel-Tod, Jeremy ORCID: https://orcid.org/0000-0002-0772-1770 (2026) From bums to kings: A new history of England takes 25 poems as its source material. What can it hope to tell us about those verses, the country and ourselves?:Review of Clare Clarke, A History of England in 25 Poems. Prospect Magazine.

Roebuck, Thomas (2026) The Correspondence of William Camden (1551-1623) and Thomas Savile (d. 1593): The Limits of Collaboration in the Making of Camden’s Britannia. Erudition and the Republic of Letters. ISSN 2405-5050 (In Press)

Shamgunova, Nailya (2026) The reading practices of Edward Southwell and the first known reader response to Aphra Behn’s Oroonoko, 1690s. Notes and Queries. ISSN 0029-3970

Book Section

Geary, Paul ORCID: https://orcid.org/0000-0002-5954-9247 (2026) Culinary Creativity:Personal Taste, Deconstruction, and Food Design. In: Performing the Edible. Routledge. ISBN 9781032885933

Hand, Richard (2026) Afro-Gothic; Get Out; Games; Stage; Cosmic Horror; Modern Art; Radio; Blacula; Grand-Guignol. In: A History of Horror, Fear, and the Uncanny. Dorling Kindersley. ISBN 9780241777442

Hand, Richard (2026) Conrad, the English Literary Theatre and Grand-Guignol. In: Joseph Conrad and the Arts of his Time. Edinburgh University Press, pp. 187-205. ISBN 9781399523714

Hand, Richard (2026) “It all seems too real”: Herschell Gordon Lewis and Theatres of Horror. In: The Films of Herschell Gordon Lewis. Edinburgh University Press, pp. 94-109. ISBN 9781399536011

Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809, Ho, Janice and Kohlmann, Benjamin (2026) Series Editors' Introduction. In: Utopia: by Duncan Bell and Douglas Mao. Literature & Politics . Oxford University Press. ISBN 9780198922889

Book

Hunt, Katherine and Mitchell, Dianne, eds. (2026) Literary Form After Matter 1550-1700: Experiments in Close Reading. Edinburgh Critical Studies in Renaissance Culture . Edinburgh University Press. ISBN 9781399551885

Jowitt, Claire and Redding, Benjamin, eds. (2026) The Wreck of the Gloucester: A Seventeenth-Century Warship Through Time. Boydell and Brewer. (In Press)

Qureshi, Kamran (2026) Fiction Feature Filmmaking:Research and Practice in Screenwriting, Production, Distribution, Exhibition, and Beyond. Palgrave Macmillan Cham. ISBN 9783032104502

Richardson, Catherine (2026) Shakespeare's Objects:Early Modern Material Culture. Arden Shakespeare Insights . Bloomsbury Academic. ISBN 978-1350123564

Smith, E. ORCID: https://orcid.org/0000-0002-7101-2397 (2026) Exploring Plural Identity Through Creative-Critical Autoethnography. Routledge Studies in Literature and Health Humanities . Routledge.

Taunton, Matthew ORCID: https://orcid.org/0000-0002-9764-7809 (2026) The Collective Voice: Modern Literature and the Politics of Speech. Stanford University Press. ISBN 9781503648494 (In Press)