Holmboe, Rye Dag, Nolte, Tobias and Dresner, Ora, eds. (2024) The Good Life:Essays in Psychoanalysis, Art and Literature. Routledge. (In Press)

Hines, Claire, McSweeney, Terence and Joy, Stuart, eds. (2024) James Bond Will Return:Critical Perspectives on the 007 Film Franchise. Wallflower Press. ISBN 9780231207416

Richardson, Lorna-Jane, Reinhard, Andrew and Smith, Nicole, eds. (2024) Routledge Handbook of Archaeology and the Media in the Twenty First Century. Routledge Handbooks . Routledge. ISBN 9781032105970

Abdulmalik, Abdulmalik Abdulrahman ORCID: https://orcid.org/0000-0002-1791-6010 and Daraojimba, Kingsley Chinedu (2024) Textile Weaving (Aṣọ-Òkè) at Ologbin-Adewole Northern Yorubaland, Nigeria. TEXTILE, 22 (1). pp. 102-114. ISSN 1751-8350

Aradhyam, Shravya ORCID: https://orcid.org/0000-0002-5528-8596 (2024) The Return of the Supervillain:Locating the Gothic in Marvel’s Superhero Adaptations. Cineaction. ISSN 2562-2528

Atkins, Bethany (2024) Celebrity and the self(ie): exploring young women’s uses of celebrity on Instagram. Doctoral thesis, University of East Anglia.

Aveyard, Karina (2024) Author, text and cultural meaning: Vijay Mishra's Salman Rushdie and the genesis of secrecy. Media International Australia, 191 (1). pp. 178-182. ISSN 1329-878X

Barrow, Sarah, Ulfe, Maria Eugenia, Atakav, Eylem ORCID: https://orcid.org/0000-0001-5718-5614, Vergara, Roxana, Chicmana, Victoria and Pelikan, Karoline and The young women of OMIAASEC (2024) Women of Influence: Interdisciplinary participatory approaches to understanding female leadership in the Peruvian Amazon. New Area Studies, 4 (1). ISSN 2633-3716

Beauchamp, Angela S. (2024) Eleanor Roosevelt on Screen: a Critical Essay. Doctoral thesis, University of East Anglia.

Cameron, Danielle Helen (2024) Architectures of age: adulthood, age-based relationality & space in post-1980 New York City literature. Doctoral thesis, University of East Anglia.

Chapman, Llewella and Hines, Claire (2024) Introduction: The Women behind James Bond. Journal of British Cinema and Television, 21 (4). 419–423. ISSN 1743-4521

Debrosse, Clémentine (2024) Travelling (Hi)stories: George Nuku’s reworking of colonial maritime illustrations. ICOFOM Materials for Discussion: Transnational Island Museologies . International Committee for Museology of the International Council of Museums (ICOM/ UNESCO). ISBN 978-2-491997-84-7

Evans, John (2024) Bruno Latour’s ‘modes of existence’ and the Crace collections of design and topography, 1815–1915. Doctoral thesis, University of East Anglia.

Farrell-Banks, David and Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 (2024) Heritage, Archaeology, Ancestry and the Far Right. In: The Ethics of Researching the Far Right. Manchester University Press, Manchester, UK, pp. 149-160. ISBN 9781526173898

Forrest, David and Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Introduction: Revisiting the British New Wave. Journal of British Cinema and Television, 21 (3). pp. 281-285. ISSN 1743-4521

Garland, Sarah ORCID: https://orcid.org/0000-0001-8911-4917 (2024) Out of Time: Constant Change, Maternity Dressing and Clothing Practices. In: Fashion and Motherhood. Bloomsbury. ISBN 9781350276697

Hand, Richard J. and O'Thomas, Mark (2024) American Horror Story and Cult Television:Narratives, Histories and Discourses. Anthem Series on Television Studies . Anthem Press. ISBN 9781785279331

Hand, Richard J. and Wilson, Michael (2024) London’s Grand Guignol versus the Lord Chamberlain:The Rise and Fall of a Troublesome Theatre. In: The Palgrave Handbook of Theatre Censorship. Palgrave, pp. 399-413. ISBN 978-3-031-67298-9

Hines, Claire (2024) Barbara Broccoli and the popular image of the Bond producer. Journal of British Cinema and Television, 21 (4). pp. 424-444. ISSN 1743-4521

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Atkins, Bethany ORCID: https://orcid.org/0000-0003-4215-481X (2024) Locating the ‘invisible’ mum: Exploring maternal selfie practices. Journal of Gender Studies, 33 (4). pp. 386-403. ISSN 0958-9236

Holmes, Su ORCID: https://orcid.org/0000-0003-4243-8337 and Godfrey, Sarah ORCID: https://orcid.org/0000-0002-6652-9455 (2024) ‘Some of the episodes are literally like a screen from [my] WhatsApp groups …’: Mothers talk about Motherland (BBC, 2017-). Participations: online Journal of Audience and Reception Studies, 20 (1).

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 (2024) The Midas Touch:Eastmancolor, the Bond franchise, and Goldfinger (1964). In: James Bond Will Return. Wallflower Press, Chichester, pp. 36-47. ISBN 9780231207409

Johnston, Keith M. ORCID: https://orcid.org/0000-0002-1989-8549 and Balzar, Jesse (2024) Forecasting the future feature: How film industry hierarchies shaped trailer discourse, 1919-1959. Historical Journal of Film, Radio and Television, 44 (2). pp. 282-299. ISSN 0143-9685

Krčma, Ed (2024) Andrea Büttner's Premodern Address. In: Association for Art History Annual Conference, 2024-04-03 - 2024-04-05, University of Bristol.

Kuaiwa, Sarah Mieko Tamashiro (2024) Lilo i Kapa - Transformation and continuity in early-nineteenth century Hawaiian Kapa, 1810-1850. Doctoral thesis, University of East Anglia.

Lopes, Laetitia (2024) Vanuatu, France and the United Kingdom: museum collections and colonial dynamics. Doctoral thesis, University of East Anglia.

McKay, George ORCID: https://orcid.org/0000-0002-7770-0502 (2024) Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c. 1976–1984. DIY, Alternative Cultures and Society, 2 (1). pp. 94-109. ISSN 2753-8702

McLaughlin, Malcolm and Ruys Smith, Thomas (2024) Circus at the seaside: Building the Great Yarmouth Hippodrome, 1903. Coastal Studies & Society, 3 (1). pp. 52-81. ISSN 2634-9817

Mistry, Kaeten (2024) The Past, Present, and Future of Government Secrecy – And History Itself:Matthew Connelly. The Declassification Engine: What History Reveals About America’s Top Secrets. New York: Pantheon, 2023. 560 pp. $32.50 (hardcover). Diplomatic History, 48 (3). pp. 458-462. ISSN 0145-2096

Nasreldein, Mohammed and Richardson, Lorna ORCID: https://orcid.org/0000-0001-8848-4182 (2024) The Promotion of Sudanese Archaeological Heritage Through Documentary Film and Digital Media. In: Routledge Handbook of Archaeology and the Media in the Twenty First Century. Taylor and Francis, pp. 312-325. ISBN 9781032105970

Nyssen, Garance (2024) Felicity Bodenstein, Damiana Oto̧iu and Eva-Maria Troelenberg (dir.), Contested Holdings. Museum Collections in Political, Epistemic and Artistic Processes of Return New York/Oxford, Berghahn, 2022, 293p. Ethnologie française, 54 (2). pp. 119-121. ISSN 0046-2616

Pardo, Cecilia (2024) Curating ancient Peru: Engaging with the past through museum exhibitions. Doctoral thesis, University of East Anglia.

Pinsent, Benjamin (2024) Examined by the Light of the Moon: Comparing and Contrasting the Critical and Production Reception of Practical Creature Effects in the Films of Rick Baker. Doctoral thesis, University of East Anglia.

Richardson, Lorna-Jane ORCID: https://orcid.org/0000-0001-8848-4182 and Reinhard, Andrew (2024) Introduction. In: Routledge Handbook of Archaeology and the Media in the Twenty First Century. Taylor and Francis, pp. 1-12. ISBN 9781032105970

Rimmer, Mark ORCID: https://orcid.org/0000-0001-6916-6795 (2024) Beginning at the beginning: towards a trans-actional music sociology. Cultural Sociology, 18 (1). pp. 3-23. ISSN 1749-9755

Ruys Smith, Thomas (2024) Just not cricket: Baseball, youth and national identity in late nineteenth century children’s magazines. European Journal of American Culture, 43 (1). pp. 45-69. ISSN 1466-0407

Sandon, Emma and Smith, Phyll (2024) Haines, Jean [formerly Margaret Jean Scawin Tomlinson; married names Dobbs, Cooper, Hutchinson] (b. 1910, d. c.1972. In: Oxford Dictionary of National Biography. Oxford University Press.

Scott, Daryl (2024) A practical examination of academic videographic criticism through creative practice research: the art of videographic thinking. Doctoral thesis, University of East Anglia.

Smith, Phyll and Sandon, Emma (2024) Ronald Haines [real name William Ronald Hutchinson (1901–1969), film-maker. In: Oxford Dictionary of National Biography. Oxford University Press. (In Press)

Snelson, Tim, Booth, Toni, Macauley, William, Jamieson, Annie, McEnroe, Natasha, Hurley, Selina and Dabin, Katie (2024) Objects of the Mind: Using film to explore the entangled histories of media and mental health. Science Museum Group Journal. ISSN 2054-5770

Snelson, Tim, Macauley, William R. and Kirby, David A. (2024) Demons of the Mind:Psychiatry and Cinema in the Long-1960s. Edinburgh University Press. ISBN 9781474486439

Street, Benjamin James (2024) Painting Floods: History, Witness and Public Address in Philip Guston’s Late Work. Doctoral thesis, University of East Anglia.

Street, Benjamin James (2024) Painting floods: history, witness and public address in Philip Guston’s Late Work. Doctoral thesis, University of East Anglia.

Syperek, Pandora and Wade, Sarah (2024) Oceanic Curating. Environmental Humanities, 16 (3). pp. 680-691. ISSN 2201-1919

Tilsley, Daniel (2024) ‘Scream for your lives!’: The philosophy of horror in William Castle’s The Tingler (1959). New Review of Film and Television Studies, 22 (3). pp. 691-712. ISSN 1740-0309

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Entries on Laurie Day and Sarah Daly for 'Women in Focus' project website. In: Women in Focus: The Filmmakers. UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of No Trees in the Street (1959). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Interview for Studiocanal Blu-ray/DVD release of The Weak and the Wicked (1954). UNSPECIFIED.

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Morgan, Diana (1908-1996). In: Oxford Dictionary of National Biography. Oxford University Press.

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Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Reflections in a Golden Eye: Exploring the photographic art of Margaret Nolan and Shirley Eaton. Journal of British Cinema and Television, 21 (4). pp. 513-535. ISSN 1743-4521

Williams, Melanie ORCID: https://orcid.org/0000-0002-3609-207X (2024) Video essay commentary on Julie Christie for Via Vision Blu Ray release of Darling I1965). UNSPECIFIED. (In Press)